The projects will explore crowdfunded work in creative industries, the use of open source digital infrastructure, the digitalisation of access work and the role of HR managers in creating 'good work' through digitalisation.
This article identifies five key themes, or sets of criticisms, that have emerged in online commentary on the new musical system centred on streaming platforms, and in related academic research: Streaming encourages ‘functional’ rather than meaningful, aesthetic musical experience. Streaming encourages bland, unchallenging music. Streaming makes musical experience passive [...]
This related project seeks to provide objective evidence regarding the degree to which music streaming is providing fair payments to music creators of various kinds. Funded by Research England QR Special Projects Fund and the UK Intellectual Property Office.